I’m taking a break but will re-post some favorite shots while I’m gone. Here are a couple from the Chihuly Garden and Glass at the Seattle Center.
Category: Art
Sand Art, 2 of 2
Kali Bradford and Barry Swires were working last Sunday on a new sand sculpture outside the Innovation Law Group on Sequim Avenue. This piece celebrates Sequim and our upcoming lavender festival in July. This piece replaces one I showed you last September.
I love the old truck that Barry is working on. It will have pots of flowers in its cargo area when finished.
I first introduced you to Kali last summer as she completed a sand sculpture for our 2014 lavender festival. Since then she has added paint to her work. She’s found that people looking at painted portions of sculptures now will comment and point out detail more readily.
Sand art, 1 of 2
Local sand sculptor Kali Bradford completed two pieces for our 120th Irrigation Festival recently. The one above is near Adagio Bean and Leaf on East Washington.
This irrigation-themed sculpture is near Lucky Star Consignment on West Washington. Kali colors parts of her sculptures now and adds living flowers. She has found that it enables people to more readily see and recognize her work.
I especially liked the “heart water” detail.
Tomorrow I’ll show you another of Kali’s work as it’s being sculpted.
The parting glass
More Chihuly
It’s a short walk from the Museum of Glass in Tacoma to see more Dale Chihuly work. Some, like the pillars above, is displayed on a bridge that leads across Interstate 705 from the glass museum to several other nearby museums. (Rain discouraged much outdoor photography.)
We chose to have a look at Union Station (now a federal courthouse). The station was designed by Reed and Stem, architects of Grand Central Station in New York City, and opened in 1911. You may see a hint of one Chihuly display in the large arched window.
There are four large Chihuly pieces on display in the station rotunda, a great location for pieces of this scale. To give you a sense of its size, this shot was taken from the second floor, looking across the rotunda.
Here’s a shot looking through the big, round piece in the last photo.
Each end of the station has a large, arched window. This one looks back toward the glass museum. You might see the turquoise Chihuly pillars from my first shot, above, in the background.
These poppies are probably about two feet wide. They’re radiant.
Dale Chihuly on paper
Though he has work exhibited worldwide, the exuberant glass of Dale Chihuly is synonymous with the Pacific Northwest. A Tacoma native, the Museum of Glass in Tacoma currently exhibits a large collection of his two dimensional work on paper.
The works are as wild and vivid as their execution in glass. Tomorrow I’ll show you some of his glass on display.
Patra Passage
I’m bringing you back to the Museum of Glass in Tacoma for a few more days.
The exhibit where this vessel is displayed is called “Patra Passage” and is a mixture of art, community involvement, and meditation. The word “patra” in Sanskrit means “the vessel that never goes empty” and served as inspiration for this exhibit which includes 108 ceramic bowls created by artist Lynda Lowe. Like alms bowls carried by monks in many cultures, the bowls represent the acts of giving and receiving; for monks it is the meditation that whatever is received in the bowl is enough for the day.
Each of the 108 Petra bowls began a one year journey at the Museum of Glass in late September 2013 as they were given to individuals who kept them for up to four months and then in turn gave them to someone else.
The bowls moved through the hands of 496 people, given as gifts and then regifted until it was time for them to return to the museum. They now are available for purchase and the proceeds will be given to local and international charities. The exhibit closes May 10.